(gentle music)
(birds chirping)
(suspenseful music)
(Gwen gasping)
(suspenseful music)
(Gwen crying)
(suspenseful music)
(Gwen screaming)
(upbeat music)
(birds chirping)
(cellphone ringing)
- [Joe] Hello?
- Hey.
- [Joe] Hi.
- Where did you,
where did you?
- [Joe] I'm at Steve's house.
- You are, he's there?
- [Joe] Yeah.
- Are you okay?
Joe?
- [Joe] Yeah, I'm here.
- I want to talk.
- [Joe] Like last night,
like you talked to last night?
- I said I was sorry.
- [Joe] Yeah.
Which part are you sorry about Sam?
- Please, I'm not working today.
Just come around, I need to talk.
- [Joe] Not today.
I'll come tomorrow, I promise.
I'll call you later.
- I love you.
- [Joe] I'll call you.
(phone line beeping)
(gentle music)
(door knocking)
- [Sam] Joe.
- I was just calling to ask if you.
Jesus.
Good night?
- Is this a social call?
- You smell like a brewery.
I think you should drink some more coffee.
- [Sam] No.
- [Peter] I didn't say that.
- No.
- Where's Joe?
- What do you want, Peter?
- The agency, they can't get me anyone until tomorrow?
- No.
- You haven't even given me a chance to ask yet.
- Yeah, well the answer's still no.
I've worked three nights in a row.
- [Peter] Yeah, well you had last night off.
- Yeah, well, I'm gonna have this night off as well.
- Just drink some more coffee.
- [Sam] No.
- I wouldn't ask you if I wasn't desperate, Sam.
- Hang on.
- Sorry that came across wrong,
but please.
It's a house visit with an overnight stay.
- You think I am in fit enough state for that?
- Well it is an easy enough job.
You'll be sat down with your feet up, most of the day.
Easy.
- No.
- Please.
Do you want me to beg?
I'll pay you treble time.
And I know you could do with the money.
(gentle music)
- What's the address?
(gentle upbeat music)
(car engine revving)
(birds chirping)
- [Man] Sam.
- Yes.
(birds chirping)
(cellphone beeping)
(gentle music)
(door knocking)
(heart machine beeping)
What have we got here?
(heart machine beeping)
Three years?
A coma for three years?
(heart machine beeping)
All right, Mr. Anonymous.
(heart machine beeping)
George, definitely a George.
Martin, you look like a Martin.
No, coma guy, that'll do.
(heart machine beeping)
Great.
(heart machine beeping)
All right, see you later, handsome.
(suspenseful music)
(heart machine beeping)
"Rule one, check key vitals every hour.
"Rule two, do not touch any personal effects in the house.
"Rule three, do not talk to the patient."
Too late.
"Rule four.
"Rule four."
(cellphone ringing)
(suspenseful music)
Hello.
(cellphone line beeping)
(suspenseful music)
(birds chirping)
- I could do this forever.
- I'm not gonna disagree with that.
(birds chirping)
- Did you sleep all right?
- Fine.
- Are you sure.
You seem pretty restless to me.
Mumbling.
- Did I?
(birds chirping)
- Babe?
- Yeah.
- Are you okay?
- Yeah.
It's just your snoring is really.
(both laughing)
(car engines revving)
(birds chirping)
I've got something for you.
- Yeah.
(car engines revving)
(birds chirping)
- Do you like it?
- It's beautiful.
- Really?
(birds chirping)
I can just change it if it's not.
- I love it.
(birds chirping)
(alarm ringing)
(heart machine beeping)
(telephone ringing)
- Hello.
- [Peter] Hi, Sam it's Peter.
Just checking to see if you're okay.
- Yeah, everything's fine.
Who was the weirdo in the suit?
- [Peter] Easy, those weirdos pay a hefty fee.
Gone, I take it?
- Yeah, yeah.
Shit.
- [Peter] You're okay?
- Yeah, just wondering how old farts like you
used to put up with friends like this.
- [Peter] Oh right, enough of the insults,
I'm still your boss.
- Yeah, and I'm still saving your ass today.
- [Peter] You're not gonna let me forget that, are you?
- No.
- [Peter] The patient?
- He talks too much.
- [Peter] Yeah.
- Yeah, he's fine.
I mean, vitals are unchanged.
Have you seen the notes?
They haven't changed in years.
- [Peter] That's why they're called comas.
- Forgot you're a medical expert.
(floor banging)
(suspenseful music)
- [Peter] Sam?
- I'll call you right back.
(heart machine beeping)
(suspenseful music)
(heart machine beeping)
(suspenseful music)
(heart machine beeping)
(birds chirping)
- So here we are at the beach.
The bloody freezing North Sea Beach.
- [Tom] You're filming?
- Yeah, of course.
This is totally going on Facebook later.
Sorry, I know you hate that sort of thing.
- It's my mom, doesn't really like it.
- Your mom?
- Yeah, she's little bit funny about it.
Can I just kiss you?
- Do you not need permission from your mom?
(waves crashing)
(birds chirping)
(waves crashing)
- Right, that's enough.
(alarm ringing)
- Peter.
For goodness sake.
You didn't tell me he wasn't allowed a female carer.
- [Peter] What?
- I saw the notes, Peter.
Male carers only.
- [Peter] Oh.
- Yes, you're breaking the law by even having me here.
- [Peter] I had no choice Sam.
- And you won't have one now, I'm packing up and leaving.
- [Peter] No, no, no, no, please don't go, please don't go.
- I could be fired for this.
- [Peter] Sam, he's a comatose patient.
- That isn't the point.
- [Peter] I can't get a replacement please.
With the eight agencies who are out there,
you realize what we are being paid for, for him?
- I'm walking out the door.
- [Peter] Don't leave the patient please.
- Get a replacement, Peter.
- [Peter] Okay, look, I'll try the agency, okay.
- What's the patient's name?
- [Peter] I don't know and I don't care.
Please, just don't walk out.
- Fine.
I'm not going anywhere.
That guy.
- [Man Voice] Sam.
Sam.
(floor banging)
(suspenseful music)
- Stupid.
(floor banging)
(suspenseful music)
(floor boards creaking)
(suspenseful music)
- [Man Voice] Sam.
(suspenseful music)
(heart machine beeping)
(suspenseful music)
- Hello.
(suspenseful music)
(cellphone ringing)
Hello.
- [Joe] Sam.
- Joe, thank Christ.
- [Joe] Are you okay?
- Yeah.
I just.
- [Joe] You sound kind of spooked.
- Yeah, the patient.
I.
- [Joe] What?
- It's silly.
- [Joe] Okay, but you can still tell me.
- I don't know.
This house is fucking creepy.
- [Joe] What do you mean?
- I'm just freaked, that's all.
- [Joe] I've got the voicemail you left me.
You're doing that all night?
- Yeah.
I need to see you.
Joe, please, I'm scared.
- [Joe] Sam, I.
- I'm scared, I'm tired.
I'm scared.
- [Joe] Scared of the house?
- No, I'm scared of losing you.
Joe.
- [Joe] I can't stay.
- Joe.
You're breaking up.
- [Joe] What's the address?
- We don't even have to talk about it.
Please, I need to see.
- [Joe] Sam, I can come, but only for a little while.
- Fine.
That's fine.
- [Joe] Sam, what's the address, what's the address?
- Babe.
Babe.
(suspenseful music)
(alarm ringing)
(heart machine beeping)
(gentle music)
(heart machine beeping)
(gentle music)
(wind howling)
(suspenseful music)
- [Man Voice] Sam.
(suspenseful music)
(cellphone ringing)
- [Machine] We're sorry, the number you have reached
is not in service.
Please check the number or try your call again.
This is a recording.
(suspenseful music)
(heart machine beeping)
(suspenseful music)
(cellphone beeping)
- [Joe Voicemail] Hi, this is Joe Peterson,
for the service I can provide,
just leave the message and I will get right back to you.
Thank you.
- Joe.
(floor banging)
(heart machine beeping)
(suspenseful music)
(people speaking indistinctly)
(suspenseful music)
- [Man Voice] And I shall not allow anyone to do so.
(ladder banging)
(suspenseful music)
(Sam gasping)
(suspenseful music)
(Sam coughing)
(suspenseful music)
(keboard keys clacking)
(suspenseful music)
(keboard keys clacking)
(suspenseful music)
(keboard keys clacking)
(upbeat music)
(keboard keys clacking)
- [Dr. Carpenter] Now I need you to fully comply
with this new treatment that we are performing today.
Do you understand?
- Yeah, I guess so.
Will it hurt?
- [Dr. Carpenter] No, not at all.
- When can I go home?
- [Dr. Carpenter] We'll see.
(girl screaming)
(suspenseful music)
- I don't think we have any other choice.
- [Dr. Carpenter] Clara,
I don't think you should get too involved.
This is a step too far, both personally and professionally.
- I know, but please just let me talk to Jonathan.
He will understand once it's all been explained to him,
he does know the risks and we have all taken them.
- [Dr. Carpenter] This is ridiculous.
I refuse to discuss it any further.
- Please, just hear me out.
How many people have we seen so far?
How many failures have we had?
It's been every single one.
This could be it.
- [Dr. Carpenter] The risk is far too great.
- I know, I know, and it all sounds crazy.
But we have come so far and we are so.
- [Dr. Carpenter] Clara, it's been six months now.
How do you feel?
(suspenseful music)
Clara, I need you to talk.
Clara.
(Clara screaming)
(suspenseful music)
- [Dr. Carpenter] How have you been?
- Are you asking as my doctor?
- [Dr. Carpenter] You came to me, remember that?
Is it getting worse?
- And what do you reckon?
- [Dr. Carpenter] I told you it would,
you should never have interrupted the treatment program.
We were so close.
- Treatment program.
- [Dr. Carpenter] What else would you call it?
- I don't know.
- [Dr. Carpenter] Does Gwen know.
- Leave her out of this?
- [Dr. Carpenter] You need my help, don't you?
- Yes.
But I don't wanna be another one
of your science experiments.
I just wanna end to all this once and for all.
- [Dr. Carpenter] And the end is in sight.
You just have to trust me.
- So who have you got lined up this time?
The others didn't make it, did they?
- [Dr. Carpenter] A new patient.
He was referred to me recently.
I believe he'll be able to handle the procedure.
- You don't get it, do you?
She won't leave me.
This procedure, you're wasting your time.
- [Dr. Carpenter] How about you let me be the judge of that?
As long as he can endure the procedure,
I believe she will find this new patient of mine,
a pretty good fit.
He's a lot like you, in fact, violent, unhinged.
- You're a monster.
- [Dr. Carpenter] You and me both, dear.
- I won't,
I won't do it.
I never asked for any of this.
- [Dr. Carpenter] Well, if not for you, then do it for Gwen.
- Don't say her name.
Leave her out of it.
You understand?
- [Dr. Carpenter] She doesn't know yet, does she?
You haven't told her about her.
- I just want normal life again.
- [Dr. Carpenter] Then let me help you.
At least, let me bring her back under control
for the time being, that I can do.
- You still don't get it?
You had no idea what you're dealing with.
- [Dr. Carpenter] Just let me speak to her.
- Be careful what you wish for.
- [Dr. Carpenter] Control test.
Patient zero,
12th of March, 2015.
Seven of clubs.
(suspenseful music)
Queen of hearts.
Jack of diamonds.
- Don't.
I won't.
- [Dr. Carpenter] Nine of spades.
- Don't, don't.
(suspenseful music)
- [Dr. Carpenter] It's okay.
We're right here.
We just need to talk.
(suspenseful music)
What do you see?
- Darkness.
Darkness everywhere.
- [Dr. Carpenter] It's okay.
I'm here.
Your mother.
- Talk, you want to talk?
Talk, I talk all the time.
Talk all the time.
Everybody hearing, hearing, seeing, listening,
crying, weeping.
Dying.
You will die, you will die.
This body is a vessel and this vessel is mine, mine.
Mine.
- [Dr. Carpenter] Nine of spades.
- Jack of diamonds.
Queen of hearts.
And the seven of clubs.
(suspenseful music)
(Sam gasping)
(gentle music)
(Tom gasping)
(gentle music)
- What happened to you Gwen?
(alarm ringing)
(heart machine beeping)
(Sam gasping)
(Tom gasping)
(suspenseful music)
(Sam gasping)
(suspenseful music)
- You see, I'm not even worried.
I don't think it's another woman.
I think.
I don't know what to think.
He is keeping something from me.
It's just, I don't know what.
I'm scared.
I'm scared for him.
(telephone ringing)
- Hello.
- [Joe] Babe, it's me, where about is it?
- Oh, thank God, the damn connection.
Are you on your way?
- [Joe] Yeah, I'm lost though.
Just driving around in circles.
- Okay.
Maybe I can come to meet you.
- [Joe] It's fine, I'll be with you very soon.
- Joe.
(suspenseful music)
Did Peter give you this number?
Who gave you this number, Joe?
(suspenseful music)
Who are you?
- [Man] Listen to, you bitch, I'm coming for you,
I'm coming.
(suspenseful music)
(telephone ringing)
- What do you want?
(suspenseful music)
(heart machine beeping)
(suspenseful music)
(heart machine beeping)
(Sam gasping)
- Help me.
- [Tom] Honey, I'm home.
- [Gwen] Did you just?
- Yeah, I just said honey, I'm home.
- Fine.
Coffee?
- Yeah, please.
Hey.
(suspenseful music)
- [Gwen] Are will still all right
to meet with John and Tracy later?
- [Tom] Yeah, sure.
(suspenseful music)
(voices whispering indistinctly)
- [Gwen] You okay?
- [Tom] Yeah, I'm fine.
- [Gwen] How was your mom?
(voices whispering indistinctly)
- It was fine.
- Look, I.
- I love you.
- I love you too.
- I just needed to tell you.
I,
I.
- What's wrong?
- You're beautiful.
You're beautiful and I love you.
- What happened Gwen?
- So yes, a getaway, a house,
his mom's old house.
He says he has something to tell me.
I have a few ideas.
I suppose it's a matter of, watch this space.
(suspenseful music)
- You killed her, didn't you?
(suspenseful music)
- Are you filming?
- [Gwen] Yeah.
- Okay.
- [Gwen] Look what's?
- Please.
I need to tell you.
You need to record this.
- [Gwen] Why?
- Evidence.
- [Gwen] Evidence?
- Yeah.
- [Gwen] Okay.
- It started when I was a child.
That's when it first happened.
That's when I first remember seeing her.
(birds chirping)
The doctors believed I was suffering
from some sort of disorder,
split personality.
- [Gwen] A split personality?
- They tried different therapies
to try and keep the other personality hidden.
This worked for a while, but.
- [Gwen] But what?
- It was a temporary fix.
- [Gwen] I see.
(birds chirping)
- However, the doctors believe that it might be possible
to transfer the personality for good.
(birds chirping)
Some sort of transfusion, I don't know.
(birds chirping)
All I know is that these blackouts are coming back
and they're getting longer.
(birds chirping)
And I don't know where I'm going anymore.
- [Gwen] This split personality,
who is he?
- It's not a he.
(birds chirping)
It's a she.
Her.
(suspenseful music)
- He doesn't have a name for it.
They've never had a name for it.
It's when he sleeps.
It's when he sleeps, she whispers.
She whispers to him, things, thoughts.
The doctors, they tried some kind of therapies on him,
says it's a disorder.
They've kept it secret. hidden in his mind,
like a secret door.
He asked me to watch him sleep,
says, I'll believe him.
That's the thing I already do.
(suspenseful music)
I watch him sleep,
for two nights
and he does nothing.
That same mumbling but that is it.
(suspenseful music)
I'm scared.
(suspenseful music)
I'm scared for him.
I'm scared for me.
(suspenseful music)
So I've come down to make breakfast.
And I dunno whether he knows,
but this is what he's doing.
(suspenseful music)
(birds chirping)
I'm scared.
I've hidden all the knives,
all of them, except for this one.
I have to hide it, for safe keeping.
(suspenseful music)
I'm scared.
(suspenseful music)
(Tom whispering indistinctly)
(suspenseful music)
(heart machine beeping)
(camera clicking)
(suspenseful music)
(Sam gasping)
(heart machine beeping)
(Sam gasping)
(suspenseful music)
(Sam gasping)
(suspenseful music)
(voices whispering indistinctly)
(suspenseful music)
(voices whispering indistinctly)
(suspenseful music)
For the past two nights, he's been doing this,
tossing and turning in the bed.
I know she's on him,
holding him down,
whispering in his ear.
I want to help him.
I'm just not sure how.
I don't know how.
(gentle music)
I don't understand.
- It's like the opening and closing of a door.
The door keeps this other personality
trapped within my psyche, but only temporarily.
- Personality.
I saw her, how many times must I say this?
- Maybe you were tired and you.
- No.
I might be a bloody hair dresser,
but I know that's bollocks.
- You don't know what you're talking about.
- I know what I saw.
You're in denial.
There is something much deeper inside you.
- That's enough.
(suspenseful music)
Please.
I know what you saw.
I know, but I just.
- [Gwen] Look, I think we should call your mother.
- No.
No, not her.
We're not calling her.
She started this whole thing.
- [Gwen] But how?
- We're not calling her, we're not.
- Then what?
- You put me into the state,
with the same hypnotic suggestions as in this book.
- [Gwen] This is mental.
But the book,
I thought you said it just opened and closed the door.
- My mother's notes.
She found all to fully close the circle.
- What?
- It's like a bungee cord.
The song acts like a magnet
and sets the whole process in motion.
We use the cards to open the door.
And then we reverse the order of the cards
to close the door, pulling her back in.
- And these notes?
- These notes, it's new notes.
It's the same as before, except we leave the door open.
- [Gwen] How?
- We use the cards, we open the door.
We let the song play out,
two minutes and 27 seconds, exactly.
And we let her out permanently.
- By closing the door?
- [Tom] Exactly.
- Two minutes and 27 seconds.
- By using the song in the hypnotherapy,
my mother was able to entice her out.
At first she comes out fighting,
but she quickly loses her stamina.
We wait until the song finishes,
we reverse the cards, we close the door.
- God, this is.
- Please, Gwen, it's the only way.
- I still think your mother should.
- No.
No, not her, just you.
Just you please.
Please help me.
- [Gwen] Okay.
- [Tom] Thank you.
I love you Gwen.
- I love you too, Tom.
(gentle music)
So this is, well, I don't know what this is.
Tomorrow, we're gonna try tomorrow.
I don't if it'll work, but he thinks it will.
It just seems so impossible.
Impossible.
I'm only a bloody hairdresser,
what do I know about this?
I know I love him.
I know I'll do anything for him.
Always.
Wish me luck.
- He stopped you.
He stopped you before you could,
before you could do it.
(suspenseful music)
I'll finish it.
(suspenseful music)
(heart machine beeping)
Right.
Seven of clubs.
(heart machine beeping)
Queen of hearts.
(heart machine beeping)
(suspenseful music)
Jack of diamonds.
(heart machine beeping)
(suspenseful music)
Come on.
Nine of spades.
(suspenseful music)
(heart machine beeping)
- Hello.
- [Woman Voice] Sam.
Hello.
I know you can hear me.
Raise a finger if you can hear me.
(heart machine beeping)
(suspenseful music)
I want to help you.
But I have to know,
did you kill Gwen?
(heart machine beeping)
Is Gwen alive?
Is she dead?
And who killed her?
- [Voice] Why don't you ask her yourself?
(Sam screaming)
- Now, I've got your attention.
Are you in there now bitch?
(heart machine beeping)
(suspenseful music)
- [Voice] Joe, Joe, Joe help me Joe.
Confess.
- What are you?
- [Voice] I'm you I him, I'm all of them.
- [Sam] Is he in there?
- [Voice] They all are.
- How many?
How many?
- [Voice] You hear them, don't you, you hear them.
Whispering, the voices, millions, millions, screaming.
He did.
- Gwen, is Gwen with you?
- [Voice] Always be, will be with me.
- You took him, you took him over.
Took Tom.
Poor Gwen.
- [Voice] You will be with me soon.
- Not yet.
- [Voice] Come here, come closer.
- Not today, bitch.
(suspenseful music)
Seven of clubs.
Queen of hearts.
Jack of.
(suspenseful music)
(glass breaking)
(suspenseful music)
Fuck you.
Nine of spades.
(suspenseful music)
(heart machine beeping)
(cellphone ringing)
- Hello.
- [Joe] Sam.
- Ah, Joe.
- [Joe] Sam, where are you?
I've been trying to reach you.
- Thank God.
- [Joe] I've got your message, I'm on my way over there now.
- Good.
- [Joe] What's been going on Sam, you gonna tell me?
Sam.
(suspenseful music)
- Joe.
Joe.
(suspenseful music)
(Sam screaming)
(suspenseful music)
(Sam gasping)
(suspenseful music)
(Sam gasping)
(suspenseful music)
(Sam gasping)
(suspenseful music)
(Sam gasping)
(heart machine beeping)
- How is she?
- She's been convulsing a lot.
Not making any sense whatsoever.
So we put under heavy sedative.
So for the next few days, she'll be mostly asleep.
(heart machine beeping)
- I see.
- Oh, also I just, wanna tell you that the police.
- I know.
- Yeah.
- Have questions for her.
(gentle music)
They're not the only ones.
(heart machine beeping)
(gentle music)
- Joe.
- [Joe] Sam.
- You came.
(heart machine beeping)
(gentle music)
Sam.
(heart machine beeping)
- [Sam] I love you so much.
- Sam.
- Joe.
- Sam, are you awake?
- Joe.
Joe.
(suspenseful music)